![]() By 2001, the team had completed hundreds of articles, nearly a quarter of the manuscript. Henryk Jurkowski then surrounded himself with collaborators on several continents, including UNIMA members and specialists in the field. ![]() In 1995, UNIMA published a leaflet publicizing the on-going project and, in 2000, with UNESCO's financial assistance it produced an illustrated brochure that elaborated on the effort, setting the tone for the encyclopedia project as a whole. As the encyclopedia’s editor-in-chief from 1994 to 2002, Professor Jurkowski developed the concept of what would eventually become a print version in French – the Encyclopédie Mondiale des Arts de la Marionnette. Then, in 1994, UNIMA’s General Secretary, Jacques Félix, entrusted the encyclopedia undertaking to Henryk Jurkowski, well-known historian, scholar, theatre critic and puppet theatre theoretician. It was he who assumed the preliminary work on the encyclopedia. The impetus came from the Commission’s then president, Dezső Szilágyi, author, pedagogue and director of the Állami Bábszínház, the State Puppet Theatre of Budapest. The idea of world encyclopedia of puppetry arts was born in 1978 within UNIMA’s Publication Commission. This great dream of UNIMA was initially conceived nearly forty years ago, and the course of its development is fascinating and worth retelling. And now it is freely available online in three languages! Whether one opens the Encyclopédie Mondiale des Arts de la Marionnette, the World Encyclopedia of Puppetry Arts or the Enciclopedia Mundial del Arte de la Marioneta, the reader has access to the broadest trove of information regarding puppetry, its history, practitioners, literature and influence ever available in one place. Never, however, have any of the organization’s projects been so enthusiastically awaited nor demanded so much effort, dedication and financial resources as its world encyclopedia of puppetry arts (WEPA). The organization is rich in history, friendships and achievements. The Union Internationale de la Marionnette (UNIMA) was founded in Prague, Czecholslovakia, in 1929. Organized by continent, artifacts are displayed with rich, contextual backdrops and hands-on interactives that encourage patrons to immerse themselves in puppetry traditions from around the world.The Online Encyclopedia in French, English and Spanish Encyclopédie Mondiale des Arts de la MarionnetteĮnciclopedia Mundial del Arte de la Marioneta Highlighting the history of puppetry in Asia, Africa, Europe, and the Americas, this collection also demonstrates the use of the art form as a teaching and communication tool. The Global Collection celebrates puppetry traditions in major cultures from around the world. ![]() In addition to learning how Henson’s characters came to life and are still performed, visitors can view iconic puppets such as Kermit the Frog and Miss Piggy. This interactive exhibition follows Henson’s prolific imagination chronologically, transporting visitors through environments that typified the master puppeteer’s world, such as Jim’s Office and the Television Studio. Visit the Worlds of Puppetry Museum featuring iconic Jim Henson creations and other amazing puppets from around the world. Located in Midtown Atlanta, the center is MARTA accessible and has limited free parking. Hours are extended during evening performances. The Center for Puppetry Arts is a uniquely creative cultural destination dedicated to celebrating the magic and wonder of puppetry by inspiring imaginations and entertaining the young at heart in all that we do. The largest nonprofit organization in the United States dedicated to puppetry, the Center hosts year-round performances for all ages, educational workshops for every level of learning, and a museum featuring puppets from around the world, including iconic Jim Henson creations.
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